Teddy pendergrass turn off the lights live

Instead, Edwin Birdsong (recorded in New York City) was delivered to Gamble and Huff as a near-complete release, making it one of the most atypical entries in the rich PIR catalogue.ДЄ mГ©lange of funk, disco, soul, rock, and jazz, Edwin Birdsong was composed, produced, and arranged by the artist, a frequent collaborator of jazz great Roy Ayers.

It didnвЂ™t feature the famed MFSB rhythm section or The Sound of PhiladelphiaвЂ™s trademark smooth orchestration, and wasnвЂ™t even recorded in Philly. 14) b/w вЂњDo Me.вЂќД®dwin BirdsongвЂ™s self-titled album, released on Philadelphia International three months before Teddy in March 1979, could hardly have been more different than that LP.

48) b/w вЂњIf You Know What I Know,вЂќ and вЂњCome Go with MeвЂќ (R&B No. BBRвЂ™s reissue adds all four of the albumвЂ™s associated single versions: вЂњTurn Off the LightsвЂќ (R&B No. 1 and his third of four consecutive platinum sellers. Melding PendergrassвЂ™ gritty, persuasive voice with a strong crop of songs and productions, Teddy became the artistвЂ™s second R&B No. Gamble, Huff and Usry also provided the closing song, вЂњLife is a Circle.вЂќ On Life is a Song, Usry had arranged вЂњGet Up, Get Down, Get Funky, Get Loose,вЂќ and he clearly took that advice for this percolating closer. Gamble and Huff wrote and produced another uptempo song, the blunt entreaty to вЂњDo Me.вЂќ With taut guitar licks, slinky bass and a wending saxophone all contributing mightily to John UsryвЂ™s killer chart, Teddy makes no secret of his romantic intentions on this pulsating track. McFadden and Whitehead delivered one of the most danceable cuts on Teddy, вЂњIf You Know Like I Know.вЂќ Pendergrass practically snarls his swaggering lead, holding his own with the brassy production. Leroy Bell and Casey James also wrote the dramatic вЂњSet Me Free,вЂќ decorated with a truly epic, rhythmically driving arrangement from Thom in the tradition of вЂњLife is a Song Worth Singing.вЂќ A surprisingly relaxed outing, it features one of PendergrassвЂ™ most comfortable leads, no less fervent in its yearning but much more understated in its approach. вЂњIвЂ™ll Never See Heaven AgainвЂќ was written by ThomвЂ™s protГ©gГ©s, nephew Leroy Bell and Casey James, and arranged by his younger brother Anthony Bell. Producer Thom Bell, fresh off his remarkable streak of successes with The Spinners, contributed two tracks. вЂњAll I Need is You,вЂќ co-written and produced by Sherman Marshall and arranged by Dexter Wansel, finds the singer in a similarly emotive, seductive vein, with WanselвЂ™s shimmering chart providing the luster. PendergrassвЂ™ passionate, rough-hewn vocals contrasted with the plush settings, exuding pure lust and ardor.

Both вЂњCome Go with MeвЂќ (not the Del-Vikings oldie) and вЂњTurn Off the LightsвЂќ were penned and produced by Gamble and Huff and arranged by longtime MFSB flautist Jack Faith in lavish orchestral splendor. Teddy opened with two of the lush, sultry bedroom odes for which the former lead singer of Harold Melvin and The Blue Notes was becoming known. All of these disparate talents crafted a stylistically consistent record of both bedroom ballads and funky dancers that still stands tall among the peaks of Philadelphia soul. Overseen by Kenneth Gamble and Leon Huff, the 1979 album followed in the footsteps of its predecessor, the previous yearвЂ™s R&B chart-topper Life Is a Song Worth Singing, in featuring notable contributions from Thom Bell and Dexter Wansel as well as from the duo of Gene McFadden and Jerry Whitehead. Cherry RedвЂ™s Big Break Records imprint has turned back the clock to 1979 for a pair of titles from the legendary roster of Philadelphia International Records.Д«BR has continued its journey through the catalogue of the late Teddy Pendergrass with an expanded reissue of his third PIR solo platter, simply entitled Teddy.

Teddy pendergrass turn off the lights live